The eighth entry in Maurizio de Giovanni's internationally bestselling Commissario Ricciardi series.

In the abyss of a profound personal crisis, Commissario Ricciardi feels unable to open himself up to life. He has refused the love of both Enrica and Livia and the friendship of his partner, Maione. Contentment for Ricciardi proves as elusive as clues to the latest crime he has been asked to investigate.

The beautiful, haughty Bianca, countess of Roccaspina, pleads with Ricciardi to investigate a homicide that was officially closed months ago. In the tense, charged atmosphere of 1930s Italy, where Benito Mussolini and his fascist thugs monitor the police closely, an unauthorized investigation is grounds for immediate dismissal and possible criminal charges. But Ricciardi's thirst for justice cannot be sated.

A tightly plotted historical noir novel, this eighth installment in the Commissario Ricciardi series is a gripping meditation on revenge and justice in which each character's soul reveals itself to be made of glass.

"The construction of Glass Souls is remarkable. It's like a very sophisticated mosaic in which each protagonist occupies precisely the right amount of space. The powerful rhythm with which the plot develops will surprise readers at every turn." —La Repubblica

Maurizio de Giovanni
Maurizio de Giovanni lives and works in Naples. In 2005, he won a writing competition for unpublished authors with a short story set in the thirties about Commissario Ricciardi, which was then turned into the first novel of the series. His books have been successfully translated into French, Spanish and German, and are now available in English for the first time.

• Jul 5 2017
  These small presses can help you think big about summer reading
  — The Washington Post
• Jun 15 2017
  “This is a wonderful series, and I highly recommend it to mystery lovers, as well as historical noir.”
  — The Pulp Den
• Jun 15 2017
  “Love, longing, and loss suffuse de Giovanni's elegiac, autumnal eighth Commissario Ricciardi mystery...”
  — Publishers Weekly